360degrees is a critical examination of the state of our prison system
The popular image is of cyborg as supermodel: a streamlined, metallic mannequin, the flexibility of flesh reinforced with the precision of steel and circuitry; a robot of symmetrical form and shimmering mechanism; an ikon of immortality, flickering agelessly through mechanical reproduction. We are these things, yes. And have been in metaphor, well before any rude augmentation was imagined, or attempted. But this model, super- or otherwise, is not the best image of the cyborg. Machines had their eponymous Age, but it was not until becoming Information that they came into their own. And ours. First introduced in a 1960 article notable for its profound reversal of entity and environment, cyborg made its linguistic debut and in so doing, proposed radical new destinies to manifest.
Wir haben es ja immer gesagt, das wird ein Disaster!!!
Da muss sich die Politik nun wirklich nicht über politkverdrossenheit der Wähler beschweren
Ballard has said elsewhere that whereas the 20th century was mediated through the car, the 21st century will be mediated through the home, and as far as Super-Cannes goes home means work. "The dream of a leisure society was the great 20th century delusion," says Wilder Penrose. "Work is the new leisure. Talented and ambitious people work harder than they have ever done, and for longer hours. They find their only fulfilment through work. The last thing they want is recreation." There are references to the flats and houses of Eden-Olympia as service stations "where people sleep and ablute". The real home is now the office.
Widerstandslos geben wir historisch mühsam errungene soziale Standards preis, behauptet ROBERT PFALLER. Der Leiter des Lehrstuhls für Philosophie der Universität für angewandte Kunst in Wien erklärt, wie Rauchverbote, das Binnen-I und Bescheidenheit beim Sex den Neoliberalismus stützen.
